Miyu Productions

Miyu Productions is an audiovisual production company created in May 2009 by Emmanuel-Alain Raynal, specializing in animation. Miyu Productions produces short films, series and long features. Since 2015, Emmanuel-Alain Raynal leads the company in collaboration with Pierre Baussaron.

Send your projects to projects@94.23.209.45

Recruiting

No open position at the moment.

Contact

Miyu Productions
4 rue d'Enghien
75010 Paris

01 43 44 53 76
contact@94.23.209.45

Miyu Productions is a member of the French Animation Film Association (AFCA), UniFrance Films and the Syndicat des Producteurs Indépendants.

Miyu Productions

Miyu Productions is an audiovisual production company created in May 2009 by Emmanuel-Alain Raynal, specializing in animation. Miyu Productions produces short films, series and long features. Since 2015, Emmanuel-Alain Raynal leads the company in collaboration with Pierre Baussaron.

Send your projects to projects@94.23.209.45

Contact

Miyu Productions
4 rue d'Enghien
75010 Paris

01 43 44 53 76
contact@94.23.209.45

Miyu Productions is a member of the French Animation Film Association (AFCA), UniFrance Films and the Syndicat des Producteurs Indépendants.

Recruiting

No open position at the moment.

Recruiting

No open position at the moment.

Contact

Miyu Productions
4 rue d'Enghien
75010 Paris

01 43 44 53 76
contact@94.23.209.45

Miyu Productions is a member of the French Animation Film Association (AFCA), UniFrance Films and the Syndicat des Producteurs Indépendants.

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From One Painting To Another

Format

Acrylic painting on cellulo

  • Duration : 3 minutes
  • Director : Georges Schwitzgebel
  • Without dialogues
  • Production : Studio GDS and Miyu Productions

Synopsis

Two long visual sentences answering each other.

The film begins with a part of the title disappearing through a cut in its center, cutting through the middle and producing a movement from right to left, revealing a room occupied by a child and her black maid. This is followed by an uninterrupted series of animated images, a kind of fleeting moment or painting that continually transforms, until it becomes a copy of Edouard Manet’s Olympia (1863).

The second part begins with the title’s next part, which disappears just like the first one, setting in motion a reverse movement, from left to right, where images related to the first part, out of focus or from other points of view, arrive, ending with the reproduction of Félix Vallotton’s La Blanche et la Noire (1913).

Format

Acrylic painting on cellulo

  • Duration : 3 minutes
  • Director : Georges Schwitzgebel
  • Without dialogues
  • Production : Studio GDS and Miyu Productions

Synopsis

Two long visual sentences answering each other.

The film begins with a part of the title disappearing through a cut in its center, cutting through the middle and producing a movement from right to left, revealing a room occupied by a child and her black maid. This is followed by an uninterrupted series of animated images, a kind of fleeting moment or painting that continually transforms, until it becomes a copy of Edouard Manet’s Olympia (1863).

The second part begins with the title’s next part, which disappears just like the first one, setting in motion a reverse movement, from left to right, where images related to the first part, out of focus or from other points of view, arrive, ending with the reproduction of Félix Vallotton’s La Blanche et la Noire (1913).

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